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is a masterclass for you?

9/7/2023

6 Comments

 
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Clicking on the image takes you to a video to hear what other artists think about attending a Masterclass.

Why attend a workshop that is ‘branded’ by the word “masterclass” at a Fibre Arts event?

Why not, is what I would ask…


A masterclass is a form of teaching in which an expert or a master in a particular field shares their knowledge, skills, and experiences with a group of students. It is typically a highly specialized workshop that allows artists to interact and learn directly from someone who is highly skilled or accomplished in their respective field.
 
In a fibre/textile masterclass, the focus is often on demonstrating and practicing advanced techniques, discussing advanced concepts, and providing valuable insights that go beyond what is usually taught in regular courses or workshops. Its intention is to push the boundaries of the artists to a new level of awareness.
 
The primary goal of a masterclass is to inspire, mentor, and guide students to hone their skills and reach a higher level of proficiency in their area of interest. It offers a unique opportunity to learn from the best in the field and gain extensive knowledge about specific techniques or approaches that can help participants excel in their own endeavours.
 
After teaching many Masterclasses, I find myself becoming even more radical with my work - pushing both personal and technical boundaries - allowing time to respond ‘to’ the medium, rather than force it to fit to some preconceived plan – I have been mentoring artists for more than 30 years, teaching Masterclasses throughout Australia and Internationally.
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The objects that I make in cloth speak, shout, whisper, and breathe in a language of silence. Their presence is tangible. Using found cloth because it has a powerful human presence and has the capacity to express humanity, human endeavor and emotion. Found cloth holds within itself the internal landscape of all rites of passage, for at first and last we are bound by its weave.
It is time for you to ‘test the water’ and attend a masterclass that will push your boundaries.
Glenys Mann
6 Comments
Francie
9/7/2023 02:11:09 pm

The first time I did a masterclass I was terrified that I would lag behind everyone but I ended up loving it and moving on quite a way with what I wanted to achieve.

Reply
Helen
11/7/2023 06:08:18 pm

It is my great hope that you will facilitate a Masterclass that I might be able to get all my ducks in a row to attend. To be able to dedicate some time to develop my skills and give permission for feelings and emotions to evolve would be a very treasured experience.

Reply
glenys
12/7/2023 08:45:53 am

Helen, please email me to talk about future Masterclasses.
Glenys

Suzie Cheel link
11/7/2023 01:54:17 pm

It is on my to love list to come to one again might be 2024

Reply
Glenice
11/7/2023 02:08:40 pm

I'm looking forward to news of the next master class thru Fibre Arts or with Glenys.

Reply
Ann Shuttleworth
11/7/2023 05:07:38 pm

Walter Nottingham’s class at Mittagong was intimidating initially, certainly my fellow students were almost all very ‘high status’ Craftsmen and women. Would have chickened out had I not wanted to learn from him. We were given a lot of lectures and topics to explore and I wandered into a completely new way of looking at materials. I still make multiple pieces of the same work at once, when my logical brain switches off from boredom, discarding those which don’t work when one or two shine through.

Jane Sauer challenged us to work in our own practice with different materials. That was the most wonderful enriching week. I painted and tore up canvas and wove it in a shaker style pattern on a hoop I’d bent out of shape. Not tapestry as the painted warps show but an effective ‘sea platter’ for me to create and & lay a paua shell salmon upon. I had done her waxed thread weaving course at a previous Forum, so knew Jane was a great teacher.

Michael B-Woods workshop was stifling as he provided all the materials and wanted us to produce work like his, each with a very specific individual written set of directives. Don’t think anyone was very satisfied. I was definitely not enriched. He could have been an untrained prep art teacher, intervening when he thought one was straying. At home afterwards I did my own creation in my materials - which we scooted off to Bunnings to purchase during class, and was very happy with the outcome. It wasn’t a spring board for more work & I doubt whether I kept his notes.

Thus I sit on the fence about advising anyone on doing a Masterclass unless they have actually seen the person give workshops in previous years, or attended a different class by them. Not everyone is a gifted teacher no matter their reputation. Word of mouth works well.

I enjoyed viewing your exhibition on the www. I don’t know where time goes as I plan to get out and about and then life intervenes. Today I’ve spent a few hours in the garden as we had some sun and no icy wind. Last week I was teaching my eldest granddaughter to weave on my big frame loom. She soon discovered it’s slow, but the rhythm is what gets both of us.

Thanks for continuing to enrich me.
Love
Ann

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    glenys mann

    Notes that catch my thoughts, dribbles, splashes, spills, drips, words, and other detritus, as I work my way thru journals and blogs that have kept me occupied during an unusual time in all of our lives...

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  • Home
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